A new exhibition in the National Gallery of Canada from 13.11.2014 - 22.02.2015:
is best known for his abstract paintings done between the 1950s and 1970s. He represented Canada at the 1967 São Paulo Bienal and the Art Gallery of Ontario toured a large retrospective exhibition of his work in 1976. Bush created advertisements and illustrations for 42 years before devoting himself full-time to painting in 1968.
As a young man in Toronto in the 1930s, Bush ran a commercial art business and took night classes at the Ontario College of Art. During this period he had very little exposure to modern European art, and, like most other Toronto painters at the time, was primarily influenced by the Group of Seven. The decorative designs and areas of flat colour of Toronto-based artist and designer Charles Comfort also influenced Bush's early painting. After seeing abstract art in Toronto and New York Bush began to experiment with abstraction himself in the early 1950s
Bush was a member of the Toronto artist group Painters Eleven who banded together in 1954 to promote abstract painting. Through this involvement he met the influential New York City art critic Clement Greenberg. Bush was encouraged by Greenberg to abandon his Abstract Expressionist style characterized by hovering amorphous shapes on the picture plane. He would simplify his composition by using an all-over coverage of thinly applied bright colours inspired by his watercolour sketches. His work is based on an abstract record of his perceptions. He did not expect the viewer to see the flower or hear the music that inspired his work, but only to share in the feeling through his painting. (Text: National Gallery of Canada)
As a young man in Toronto in the 1930s, Bush ran a commercial art business and took night classes at the Ontario College of Art. During this period he had very little exposure to modern European art, and, like most other Toronto painters at the time, was primarily influenced by the Group of Seven. The decorative designs and areas of flat colour of Toronto-based artist and designer Charles Comfort also influenced Bush's early painting. After seeing abstract art in Toronto and New York Bush began to experiment with abstraction himself in the early 1950s
Bush was a member of the Toronto artist group Painters Eleven who banded together in 1954 to promote abstract painting. Through this involvement he met the influential New York City art critic Clement Greenberg. Bush was encouraged by Greenberg to abandon his Abstract Expressionist style characterized by hovering amorphous shapes on the picture plane. He would simplify his composition by using an all-over coverage of thinly applied bright colours inspired by his watercolour sketches. His work is based on an abstract record of his perceptions. He did not expect the viewer to see the flower or hear the music that inspired his work, but only to share in the feeling through his painting. (Text: National Gallery of Canada)